Saturday, January 2, 2010

“Most viewed on msnbc.com - MSNBC” plus 4 more

“Most viewed on msnbc.com - MSNBC” plus 4 more


Most viewed on msnbc.com - MSNBC

Posted: 02 Jan 2010 07:51 PM PST

WAYLAND, Mass. - Artwork from the Punjab state of India decorates the Ray family home. A Johann Sebastian Bach statue sits on a piano. But in the basement — cluttered with wires, old concert fliers and drawings — 25-year-old Arjun Ray is fighting distortion from his electric guitar.

For this son of Indian immigrants, trained in classical violin and raised on traditional Punjab music, getting his three Pakistani-American bandmates in sync is the goal on this cold New England evening. Their band, The Kominas, is trying to record a punk rock version of the classic Bollywood song, "Choli Ke Peeche" (Behind the Blouse).

"Yeah," said Shahjehan Khan, 26, one of the band's guitarists, "there are a lot of contradictions going on here."

Deep in the woods of this colonial town boils a kind of revolutionary movement. From the basement of this middle-class home tucked in the woods west of Boston, The Kominas have helped launched a small, but growing, South Asian and Middle Eastern punk rock movement that is attracting children of Muslim and Hindu immigrants and drawing scorn from some traditional Muslims who say their political, hard-edged music is "haraam," or forbidden.

The movement, an anti-establishment subculture borne of religiously conservative communities, is the subject of two new films and a hot topic on social-networking sites.

The artists say they are just trying to reconcile issues such as life in America, women's rights and homosexuality with Islam and old East vs. West cultural clashes.

"This is one way to deal with my identity as an Arab American," said Marwan Kamel, the 24-year-old lead guitarist in Chicago-based Al-Thawra. "With this music, I can express this confusion."

Tied to 2003 novel
The movement's birth is often credited to the novel "The Taqwacore," by Michael Muhammad Knight, a Rochester, N.Y.-raised writer who converted to Islam.

Knight coined the book's title from the Arabic word "Taqwa," which means piety or God-fearing, and the word hardcore. The 2003 book portrayed an imagined world of living-on-the-edge Muslim punk rockers and influenced real-life South Asians to form their own bands.

South Asian and Middle Eastern punk bands soon were popping up across America and communicating with each other via MySpace.

At the time of book's release, Basim Usmani and Khan already were experimenting with punk and building the foundation for The Kominas, which loosely means "scoundrels" in various South Asian languages. When Usmani, now 26, came across the book, he was writing songs and sporting a mohawk — just like the punk rocker on the novel's cover.

Usmani contacted Knight, who agreed to buy a bus on eBay for $2,000 to help launch the nation's first "Muslim punk rock tour" in 2007. Kamel, the son of a Syrian father and Polish mother, bought a one-way ticket to Boston to join the tour, and Canadian drag-queen singer Sena Hussain met up with them along the way.

The musicians performed at various venues but were notably kicked off stage during an open mic performance at the Islamic Society of North America convention in Chicago. Traditional Muslims at the convention decried the electric guitar-based music as un-Islamic while others were upset a woman dared sing on stage. The episode was documented by Pakistani-Canadian filmmaker Omar Majeed in his new documentary "Taqwacore: The Birth of Punk Islam."

"These guys are not prophetizing or preaching anything specific about Islam," said Majeed, whose film is set for release in the United States in 2010. "They just happen to be young and Muslim, and they write songs and do art that expresses that idea."

Imam Talal Eid, executive director of the Islamic Institute of Boston, said some traditional Muslims may object to such music because they focus on its sexual attraction rather than its use for spiritual enjoyment. "But I think we can come up with a moderate opinion that distinguished what is forbidden from what is not," said Eid. "It's a new issue among Muslims."

Sarcasm in 'Sharia Law in the USA'
The musical style of each group varies. Some songs on The Kominas' album "Wild Nights in Guantanamo Bay" lean toward the humorous and ironic, including "Suicide Bomb the Gap." In their song "Sharia Law in the USA," the lyrics mock the portrayal of Islamists: "I am an Islamist/I am the anti-Christ/most squares can't make a most-wanted list/but my-my how I stay in style." Their sound mixes hard-edged punk, ska and funk.

Meanwhile, Al-Thawra sings about political events in the Middle East with songs like "Gaza: Choking on the Smoke of Dreams." Their music is closer to heavy metal.

Other bands include the Washington, D.C.-based Sarmust and the Texas group Vote Hezbollah.

Like most punk groups, bands produce their own albums and sell them at shows and online.

Most band members hold full-time jobs, so tours are sporadic. Usmani works full-time at a call center and writes occasionally for the Guardian newspaper in England. Ray is a medical researcher at Harvard.

The groups have toured since that first Taqwacore trip, playing in small clubs, in basements at parties and in Hispanic cultural centers. Typically, The Kominas and Al-Thawra say they play in front of 50 to 80 people.

The bands have noticed Latino punks getting into their music. Al-Thawra recently picked up a guitarist from Mexico City named Mario Salazar. The cover of Al-Thawra's next album will feature the image of the U.S.-Mexico border fused with Israel's West Bank separation barrier.


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The man behind the Pack - Milwaukee Journal Sentinel

Posted: 02 Jan 2010 08:41 PM PST

Green Bay — He walks around the locker room in a trench coat, congratulating one player for an interception and asking another about that knee.

Tall and broad-shouldered, he looks like a golfer straight off the links of Ireland and hardly like the onetime safety who led the National Football League in interceptions in 1983.

Mark Murphy, the president and CEO of the Green Bay Packers, is still in the pros, but he has switched from a uniform to a business suit.

Yet while Murphy, 54, has been the leader of the Packers for nearly two years, he remains a complete unknown to almost everyone outside the locker room of Lambeau Field.

He's not from the Midwest. He played for the Washington Redskins. He certainly wasn't a celebrity name coming from the athletics departments of Colgate and Northwestern universities. And all those impressive law and finance degrees didn't mean he knew a thing about the Packers and their worldwide fan base.

That was a concern for members of the team's Executive Committee who were charged with finding a replacement for Bob Harlan, a legend who had guided the franchise to a Super Bowl victory and persuaded Brown County voters to approve a sales tax to refurbish Lambeau Field.

Harlan knew the Packers and Wisconsin better than anyone. Murphy ran the athletics department at Northwestern, a university in Evanston, Ill., that plays in the highly competitive Big Ten Conference.

"It was a critical decision," said Larry L. Weyers, treasurer and member of the Executive Committee. "Bob Harlan had endeared himself to the fans and now we were changing horses.

"Mark has worked out even better than we anticipated."

Inside Lambeau, players like the fact Murphy is as passionate for the game as they are. General manager Ted Thompson believes he's the ideal boss. Members of the Executive Committee think they chose the right man to lead the Packers.

"The relationship we've had with Bob Harlan was very close, I felt," said Peter Platten III, vice president of the Executive Committee. "And that's carried right straight through with Mark. We all really think he's doing a great job. And his talents are perfectly suited for what we are dealing with right now and what we will be dealing with in the next few years."

So perhaps it's time for a reintroduction to Murphy, because with the Packers' postseason season looming, he soon will play a crucial role as an advocate for the team and the NFL in the upcoming negotiations for a new collective bargaining agreement.

"The CBA is the biggest issue the league is facing - and the Packers," Murphy said. "I feel fortunate that I am involved in that process as I am.

"One of the things I've tried to do is have good relations with the other teams in the league; it is really beneficial for the Packers. Having influence on league committees, reaching out to different owners and executives from other teams, will be helpful to us in the long run."

Paul Tagliabue, the former NFL commissioner who has been a mentor to Murphy dating to Murphy's days as a former players union lawyer, agrees Murphy is well-suited to help current Commissioner Roger Goodell.

"Mark has lots of experience and attributes that will serve him well on the negotiating team, including his understanding of the competing and conflicting points of view on the two sides of the table, and his ability to reach across the divide and talk with people who also understand both perspectives that can eventually lead to sensible compromises and consensus," Tagliabue said.

NFL free agent

Murphy grew up in Buffalo, Houston and New Jersey and played football all the way up through college at Colgate. Much like Thompson, he came into the NFL unheralded - a non-drafted free agent.

But in his eight years with the Redskins from 1977-'84, he won two Super Bowls, made the Pro Bowl and led the NFL in interceptions in 1983.

"Mark struggled to break 5 (seconds) flat (in the 40-yard dash). But he wasn't smart - he was brilliant," former Redskins assistant Larry Peccatiello said in "The Ultimate Super Bowl Book."

Murphy earned his MBA in finance from American University while he played for the Redskins. He also served on the players' bargaining committee during the 1982 players' strike.

When he was cut from the Redskins on his 30th birthday, he joined the NFL Players Association as assistant executive director. While there, he worked on a law degree from Georgetown University. He was a trial attorney for four years in the U.S. Department of Justice, working on some big cases that included the State of Montana suing the U.S. Census Bureau, challenging the apportionment formula.

After that, he served as athletic director at Colgate and Northwestern for a total of 16 years.

Goodell appointed Murphy to the 10-member Management Council Executive Committee, the bargaining team that represents the owners in the league's negotiations for a new collective bargaining agreement. The current agreement expires after the 2010 season, but that season will operate without a salary cap unless the sides extend the agreement by March.

"I can see things from both sides," Murphy said. "I think it's been helpful in some of the sessions. I can certainly relate to what the players' concerns are. But I also have seen it from an owner's perspective as well, or a management perspective."

It doesn't hurt that the art of compromise runs in the Murphy family bloodlines.

Mark's father, Hugh Murphy, could iron out differences with anyone. As the director of labor relations for Roblin Steel in Buffalo, he made a living making compromises in the never-ending battle of collective bargaining and labor relations. If Hugh Murphy wasn't commuting between the two steel plants 60 miles apart, he was pulling an all-nighter at the negotiation table.

Years later, "Big Murph" served for 15 years as a court-appointed mediator in Florida.

"He just loved it. And the judges loved him," Mark Murphy said. "He would settle cases. The judges would refer most of their cases to him because they knew he could settle."

To this day, Murphy draws on his background as a former player and union representative, and his days as a trial attorney, to help him as Packers president.

"Being an advocate for a position really helped me in terms of my speaking," Murphy said. "The other thing I think my current position, especially in bargaining, you deal with lawyers all of the time. That's pretty invaluable."

Murphy has relied on friendships with Jerry Richardson, the co-chair of the bargaining committee; New England Patriots owner Bob Kraft; New York Giants owner John Mara; the front office of the Chicago Bears; as well as Tagliabue to navigate his way through his first two years of presidency.

When Murphy was chosen by the Packers in December 2007 after a lengthy search, it came as a bit of a surprise. While Murphy's educational credentials were not in question, many wondered how a college athletics director could handle running a professional sports franchise. And not just any franchise. This one was publicly owned by fans who feel they have a special bond with the team.

"He came with a lot of credibility," Weyers said. "He was a player and a representative of the players. He also had a good understanding of the industry."

Platten said Murphy has developed strong relationships with the Executive Committee and key members of the organization.

"The business side of the pros is very big these days because it ultimately drives the performance on the field," Platten said. "He has done a great job with that."

Murphy also talks to Harlan, the Packers president from 1989 to 2008, about issues of importance to the Packers and the NFL.

"We went out to dinner a couple of times when he first got to town," Harlan said. "He asked how we had done things and so forth. He will call me at home and we'll talk. We talk maybe a couple of times a month."

Harlan is quick to say, however, that he never calls Murphy. If Murphy wants to talk, it's his call, not Harlan's.

"If I have issues that I am dealing with, I will contact him," Murphy said. "The way I look at it, it's such a unique position. There's nothing like it in the NFL. You are not an owner; you are not like the other presidents. But Bob, having been in the in position as long as he was, has really been willing and gracious in terms of providing advice."

When numerous players returned to Green Bay after a couple of fan tours with Murphy, they reported back to teammates that he was a likable guy, that they had passed around his playing cards and studied his 1982 Super Bowl ring.

"A guy who is extremely excited about being with the Packers, you can tell that anytime you're with him at an event," guard Daryn Colledge said. "Certain people have a certain energy about their job. Some people just come to work and they're excited about what they're doing. He just has that."

Many players don't know where he's from or how good he was in the NFL, but they like the effort he makes to get to know them and represent them as the leader of the organization.

"Great guy," cornerback Al Harris said. "When I hurt my spleen (in 2008), he was the only person that called me and said, 'Hey Al, sorry that that happened' and 'everything will be all right.'

"I like Mark Murphy. That really, really meant a lot to me that he took the time out to call me and show his concern."

Can he pull plug?

The one unknown about Murphy that matters so much to Packers fans is this: Could he pull the plug if the Packers were losing and how long would he wait until he acts?

Murphy is Thompson's boss. After the disappointing and wrenching loss to lowly Tampa Bay on Nov. 8, the team fell to 4-4. Throw in two losses to former Packers quarterback Brett Favre and the Minnesota Vikings, and fans were calling for a change at the top.

Since then, the Packers have gone 6-1 and qualified for the playoffs - and fans are back onboard. But questions remain about whether Murphy will have to act decisively someday and how he will do it.

Murphy said he has fired unsuccessful coaches before - in his time at Colgate: Michael Foley and Ed Sweeney, both football coaches. At Northwestern, his biggest test was the sudden death of football coach Randy Walker in June 2006.

"Not only did we lose Randy, but Mark had to decide what direction to go," said Patrick Ryan, then chairman of Northwestern's Board of Trustees and an influential backer of the program. "He saw something in Pat Fitzgerald. He felt that Pat had attributes other than experience that Mark felt we should take the risk. Mark was right. It was a courageous decision."

Fitzgerald has a 27-22 record and nearly led the Wildcats to their first bowl victory in 61 years on New Year's Day.

For his part, Murphy said he has tried to learn something at every stage of his business life.

"My philosophy of management is that you don't micromanage; you hire good people and allow them to do their jobs," Murphy said. "You also hold them accountable to success. If we're not having success, then it's my job to look at a situation and determine what changes are needed to allow us to be successful."

Though collegiate athletics departments don't come close to the standards and level of scrutiny Murphy faces in leading a team with the tradition and fan base of the Packers, he believes he has been adequately prepared to use his authority to dismiss underperforming members of his staff, including the general manager.

"That's the reality of the position I've been in," Murphy said.

"Those are always hard. What I always felt, especially when you hire people, you want to give them a chance to be successful and you support them. But at the end of the day, you also have to look out for - whether it's the organization or the university - you have to make the decision that is the best interest of the organization for the long term.

"The concept is you are managing people, working with them, trying to help them improve. And at the end of the day, if you feel change is needed, you have to act. What I have learned, sometimes you do need to make changes. That's necessary to move forward."

'Big picture'

However, it might take a lot for Murphy to cut ties with Thompson and coach Mike McCarthy, which might be why he pointed out his "big picture" approach.

"You do need to keep things in perspective," Murphy said. "Having been in the NFL and around it, you know there are a lot of ups and downs in a season. You have to have a longer-range perspective, especially in my position.

"My attitude in everything I've done - playing for the Redskins, as a trial attorney - is I'm going to be prepared, do the best job I can, and at the end of the day, as long as you've done everything you can to be successful, that's all you can ask of yourself."

Murphy, Thompson and McCarthy were thrown together in one of the toughest crises in franchise history: the Favre trade.

Harlan stayed on a month in January 2008 to groom Murphy for his new role, but nothing could have prepared him for what was to come.

First, after off-seasons full of uncertainty about his future, Favre finally announced his retirement in March 2008.

Then, after Thompson had committed to Aaron Rodgers and what he felt was best for the team, Favre un-retired in July, and the chasm between the two men grew with every passing day. Murphy's attempt to offer an endorsement deal to Favre in the range of $20 million was a complete public relations disaster.

Complicating emotions for Murphy, his father died on July 20, 2008, while the Favre and Thompson fiasco was reaching its high point.

But as Murphy's outside world crumbled over the incredible day-to-day saga, he, Thompson and McCarthy huddled close and worked together on what to do with Favre.

"As difficult as it was for the organization, the whole situation with Brett Favre, and to have it early in my tenure - I'm trying to find the one positive," Murphy said. "It really allowed me to work very closely with both Ted and Mike. The result was that it probably sped up the process in terms of establishing good working relationships with both of them."

Murphy ultimately threw his support behind Thompson and McCarthy and consented to cutting ties with the face of the franchise. Without that support, Thompson might never have been able to trade Favre to the New York Jets.

"It was very rewarding obviously for me to have that support," Thompson said. "As an organization, it kind of shows you how we go about doing business - we don't interact all the time, but when there are items that important to the organization, there was obviously a lot of meeting time.

"We had extensive conversations about that and a lot of other people within the organization were involved in some of those talks. None of that was done in the back room. We all kind of worked our way through it."

In the background, of course, is the team's Executive Committee. The Packers' business culture, at least publicly, calls for Murphy to keep committee members informed of major decisions and developments. Both Platten and Weyers said Murphy stays in touch with the committee about as much as Harlan did. The committee is supposed to provide oversight, but Murphy makes the calls.

"Mark is the CEO," Platten said. "So he has ultimate responsibility for what happens with the Packers."

Dealings with GM, coach

Even though the Favre situation warranted extensive meetings, that's not how Murphy manages Thompson and McCarthy now in day-to-day operations. Murphy and Thompson often discuss how labor talks are progressing after Murphy returns from frequent meetings in New York and Washington. He also keeps in contact with McCarthy, though it is usually through Thompson.

"What I am trying to do is give them the support they need and the resources they need to be successful," Murphy said.

But Murphy never tells Thompson which free agents he should re-sign or dictates any personnel moves.

"I get a lot more suggestions and advice at the airport than I do here at the office," Thompson said. "I think he likes the structure and has an appreciation for the way the organization works in that regard. Each of us, the three of us - Mark, myself and Mike - all have jobs that demand our time and a lot of focus and attention.

"I don't really have the time or the inclination to involve myself in their particular stuff, and I think it's the same way with Mark. I mean, I'm not going to go down and work on the red zone something with Coach McCarthy because that's what he's focusing on. That's not what I am focusing on.

"I am focusing on other things. And Mark is going to be very busy with his stuff."

Murphy gives a lot of credit to his wife, Laurie, for raising their four children - Kate, Emily, Brian and Anna - with the youngest just starting college. Even as empty-nesters, there isn't a lot of down time. He likes to jog, bike or golf, especially when faced with stress.

"I try to work out regularly. I talk to some current players - the workout hung over your head," Murphy said. "Then when you get into a position like I'm in now, it's a highlight of my day, a way to think things through and relieve some of the stress.

"It's very good at taking your mind off of a lot of different things that you might be struggling with."

Besides ensuring the Packers remain successful on the football field, Murphy will need to chart the course of the franchise. There is talk of expanding the Packers' footprint in the Lambeau Field neighborhood. The Packers own land west of the stadium, and Murphy and the franchise are talking about a master plan for the community to consider.

Ryan, who worked with Murphy at Northwestern and was the chairman of the City of Chicago's unsuccessful bid to land the 2016 Olympics, said he has no doubt Murphy will succeed in Green Bay.

"I like leaders who are under control," Ryan said. "His calmness blends with his skills."

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Home-schooling in rural West Virginia - Charleston Gazette

Posted: 02 Jan 2010 08:48 PM PST

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From 'Popeye' to 'Family Guy,' 2009 a milestone year for cartoons - Seattle Times

Posted: 02 Jan 2010 07:29 PM PST

You could say this was the Year of the Cartoon. Some of the biggest names ever to be animated celebrated milestone birthdays in 2009, even though they may not look their age.

Popeye is 80. Scooby-Doo is 40. The Simpsons are 20. And that's not the half of it.

Wile E. Coyote and the Road Runner are 60. Rocky and Bullwinkle are 50. Coincidence? Who cares. Connect the dots among these cartoon hall-of-famers and you've got an extraordinary window on the evolution of the art form.

Start way back with Felix the Cat. Nine decades ago, when cartoon shorts more closely resembled flip books of comic-strip panels than modern movies, Felix was born into the silent-film era and became hugely popular. A simply designed character with a plucky spirit, he was Mickey Mouse before there was Mickey Mouse, clearing a path for the cheery rodent to follow.

"I don't think the Disney empire happens without him," said Andrew Farago, curator of the Cartoon Art Museum in San Francisco.

Synchronized-sound cartoons, ushered in by Mickey with 1928's "Steamboat Willie," changed everything. Suddenly animators weren't limited to word bubbles and pantomime. While Felix had trouble adapting, others such as Popeye — introduced in a comic 80 years ago and a hit on the big screen — took full advantage. They used voices and sound effects to add humor and more.

"The one thing about sound was they were able to have more distinctive and defined personalities," said Jeff Lenburg, author of The Encyclopedia of Animated Cartoons, Third Edition. "It really became personality animation."

That opened up all kinds of opportunities for animators and new characters, among them Betty Boop and Donald Duck, who celebrated his 75th birthday this year. Mel Blanc made a career out of using his voice to add personality to everyone from Porky Pig to Bugs Bunny over the years.

Many of these characters took part in formulaic but popular plot lines.

"A lot of them followed the same basic story. It's something following something else," explained Charles Coletta, instructor of popular culture at Bowling Green State University.

There are infinite variations to the "chase" theme. Anyone who has seen a Tom and Jerry cartoon knows this. Some of the purest examples were the Warner Bros. cartoons featuring the Road Runner and Wile E. Coyote, who debuted 60 years ago in 1949. They entertained viewers as the coyote always tried (and failed) to catch his prey using innumerable gadgets and tricks.

In the industry's early years, cartoons were shown mostly as shorts prior to full-length features at the theater, where all ages were exposed to them. They became less profitable after a Supreme Court ruling that changed booking practices. Studios started to cut back and adopted a more limited style of animation that used fewer cels to animate characters and sequences, Lenburg said.

While Disney stuck around as the dominant player in full-length, theatrical animation releases, many cartoon studios moved to television, where they used this more limited style. (Disney did expand to TV as well.) The result can be seen in the many Hanna-Barbera creations (Yogi Bear, Huckleberry Hound) and the unsophisticated style of Rocky and Bullwinkle, who turned 50 this year. It's a far cry from the majesty of the lush drawings of "Snow White and the Seven Dwarfs." What the cartoon moose and flying squirrel lacked in artistic value, however, they made up for with more sophisticated humor.

"They have what looks like a very simple, funny animal cartoon, but they actually used it to comment on political figures and American society, and managed to do it under the radar because it has the appearance of a simple kids cartoon," Farago said.

By bringing cartoons into the home, television allowed animators new possibilities and audiences. Specifically targeting children, who were home on Saturday mornings or after school, was what made a show like 1969's "Scooby-Doo, Where Are You!" so successful.

"Scooby-Doo really didn't strive for anything beyond creating a program that will be entertaining for kids," Farago said of the show about a dog and a crew of teenage mystery-solvers. "They really don't care about reaching the adult audience because the kid audience is constantly replenishing itself. ... 'Scooby-Doo' in 1969 appealed to 5-to 10-year-olds. In 2009, it still appeals to 5- to 10-year-olds."

Contrast that with "The Simpsons," a much more mature show whose first season about a dysfunctional family started in 1989, even though the characters had been introduced earlier. With its anti-establishment mentality and "eat my shorts" catchphrase, the show got adults' attention right away. Schools banned T-shirts featuring it; parents prevented their kids from watching.

Yet it had something for everyone, including some of the best writing on television. College students, especially, were drawn to it, and the show proved again that cartoons could make a splash in prime time, reminiscent of "The Flintstones' " run in the 1960s.

It also led to a proliferation of cartoons pushing the envelope — society's and the censors' — even further. Think "South Park" and programs on the Cartoon Network's Adult Swim. The most popular cartoon among Coletta's students currently is "Family Guy," which joins the more tot-friendly "SpongeBob SquarePants" in celebrating the 10th anniversary of its debut this year.

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State Museum Shop tops $100,000 in sales - Charleston Gazette

Posted: 02 Jan 2010 08:41 PM PST

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