“Dengue Fever Dream On - Orange County Weekly” plus 3 more |
- Dengue Fever Dream On - Orange County Weekly
- Near Ground Zero, the Sacred and the Profane - New York Times
- Panel backs plan for mosque 2 blocks from ground zero - New Haven Register
- For women, Indy passes NASCAR - USA Today
| Dengue Fever Dream On - Orange County Weekly Posted: 27 May 2010 03:57 PM PDT Dengue Fever Dream OnThe Long Beach band blur the boundaries of language, genre and nationalityBy Drew Tewksburypublished: May 27, 2010California is no stranger to cultural overlap. For a state that has been part of three countries, home to myriad indigenous peoples, and a cauldron of languages, multicultural is California's middle name. Yet few bands represent the polyglot of California better than Dengue Fever. Gleaning the psychedelic haze of late-1960s Cambodian rock, Dengue Fever have earned accolades as an imaginative reconstruction of the golden age of South Asian pop music. The six-piece retropop band create a sound that is familiar, yet foreign. A Farfisa organ evokes the surfpop revolution, rolling drums and reverbed guitar swing of a '60s dancehall. And of course, there's that voice. Dengue Fever would just be another throwback-rock act without the beautiful songbird Chhom Nimol. Her voice soars, wavers and drops, dancing across musical scales like a finch playing in an updraft. Her lyrics shift from English to Khmer, the language of her homeland, Cambodia. But the feeling in her voice is universal. Heartbreak and homesickness, adulation and ecstasy all exist in the cadences of her delicate voice.The band are in Vietnam for a festival, and bassist Senon Williams is sitting on the balcony of their hotel, enjoying a warm Hanoi afternoon. "It's been a long time since we've been here last," he says. The band last toured Southeast Asia while shooting the documentary Sleepwalking In the Mekong. In it, Dengue Fever travel to Cambodia to showcase Nimol's transformation to her fans back home. Instead of rejecting her return to retro sounds, her family, friends and fans accepted the band as something truly international, a multicultural homage to the glory days of Cambodian culture. But things have changed since then. "There have been a lot of changes in Vietnam: more cars, fewer bikes. I hope we can come back here, but we have to write a new album first," Williams says. "There's a lot different with us, too. For one, Nimol speaks English now. Well, speaks it better." Despite Dengue Fever's evolution, their original Cambodian dream is impossible to shake. It all started in 1997, when keyboardist Ethan Holzman traveled to Southeast Asia. While traversing the country, he heard the hybrid sounds of Cambodian rock. Like California's melting pot, Cambodia's music scene was the product of cultural confluence. In the late 1960s, when American G.I.'s were stationed in South Asia during the Vietnam War and subsequent "secret" wars in Laos and Cambodia, the sounds of the American rock explosion accompanied the soldiers, who packed Jimi Hendrix and Doors albums along with their fatigues and rifles. American radio stations on-base broadcast surf rock and Motown, which subsequently wafted from the radios into Cambodian living rooms and nightclubs. Local musicians translated American pop into Cambodian hits. Yet, like most musical hybrids, they landed halfway, mixing traditional Khmer vocal styles with American chord structure. When Holzman returned to America, he set out to replicate the sound, enlisting his brother Zac on vocals and guitar, and later found bassist Williams. With the band assembled, Dengue Fever started the search to find a singer who did not just cover the Cambodian sound, but also lived it. They turned to Long Beach's Little Phnom Penh, also known as Cambodia Town, where many of the countrymen had settled, fleeing the upheavals in their home country in the '60s and '70s. After a lackluster session with prospective singers, Williams says, they got lucky. The band had no knowledge of Nimol's background, but her competitors instantly recognized her as a singer famous back in Cambodia. "They all knew who she was," Williams recalls. "At the time, we had no idea that she was this well-known singer in Cambodia. The singers all stepped back from the microphone, and when they heard her vocals, the other singers were, like, sprinting out the door." The band today have developed a sound that capitalizes on the evolution of their Southeast Asian influence—from the faithful, near-cover songs of Escape From the Dragon House to their latest, Venus On Earth, which departs slightly from their throwback act. Dengue Fever try to break the mold, even when it is of their own making. "Nimol's Cambodian, but I'm not. The band's not," Williams says. "We just want to make music; we don't care about the nationality." Dengue Fever perform with Pocahaunted at Detroit Bar, 843 W. 19th St., Costa Mesa, (949) 642-0600; www.detroitbar.com. Sun., 9 p.m. $15. 21+. This article appeared in print as "Fevered Dream: Cambodian? American? Surf pop? Rock? Dengue Fever blur the boundaries of language, musical genre and nationalit." Five Filters featured article: The Art of Looking Prime Ministerial - The 2010 UK General Election. Available tools: PDF Newspaper, Full Text RSS, Term Extraction. | |
| Near Ground Zero, the Sacred and the Profane - New York Times Posted: 27 May 2010 08:43 PM PDT Now, assuming he can raise the money and clear some remaining bureaucratic hurdles, the spiritual guide of that mosque intends to build a multistory Islamic community center, including a space for prayer, on Park Place, two blocks from what is routinely called ground zero. Cries of protest have been loud and insistent from certain quarters. They include people who lost relatives on Sept. 11 and who describe the trade center site with words like "hallowed" and "sacred." To put an Islamic center so close, they say, would amount to a defilement. At least now, in terms of geography, we know where outrage begins. That point is somewhere between 12 blocks and 2. The exact spot remains a mystery, though. Would it be O.K. if the Islamic center, called Cordoba House, were to be put four blocks from ground zero? Or is that still too close? How about eight blocks away? The intention here is not to be flippant. But the question of what constitutes proper respect for the dead of 9/11 has never been simple. For some, it seems to turn solely on religion, and that puts everyone on slippery constitutional terrain. No one is known to have protested the fact that three blocks from ground zero, on Murray Street off West Broadway, there is a strip joint. It prefers to call itself a gentlemen's club. A man stood on the street corner the other day handing out free passes to willing gentlemen. On Church Street, around the corner from where Cordoba House would rise, there is a store that sells pornographic videos and an assortment of sex toys. A few doors east of the planned Islamic center, there is an Off-Track Betting office. Spilling onto the sidewalk in front of it the other day were men who would have been described in my old Bronx neighborhood as degenerate gamblers. A strip joint, a porno store and a government-run bookie operation. No one has organized demonstrations to denounce those activities as defiling the memory of the men and women who died a few hundred yards away. But an Islamic center strikes a nerve for some. At a bruising hearing that Manhattan Community Board 1 held Tuesday night before giving Cordoba House its blessing, one protester held a sign that said, "Where is sensitivity to 9/11 families?" A corollary to that question, however, might be: Which families? They are hardly a monolith. Some 9/11 relatives see anything Islamic near ground zero as a slap in the face. Others couldn't care less. Still others share the opinion of Donna Marsh O'Connor, who is on the steering committee of a group called September 11 Families for Peaceful Tomorrows. She said it was "the American way" to have a cultural center that its founder, Imam Feisal Abdul Rauf, asserts is dedicated to interfaith tolerance. New York officialdom, while sensitive to the displeased families, has long made it clear that it is not about to hand them veto power over how the city builds and rebuilds. Officials from the mayor on down have endorsed Cordoba House, in large measure because of Imam Feisal, a Sufi who has cultivated relations with other religions and who has spoken out against the violence of Islamist fanatics. He has given no one a reason to doubt his sincerity. OUTRAGE over the project seems at times to increase in direct proportion to distance from the site. A columnist for the tabloid Washington Examiner recently called it "the second attack on the World Trade Center." Columnists and editorialists for New York's tabloids who are rarely given to kumbaya moments have described such denunciations as "hysteria." One 9/11 relative observed ruefully this week that the Islamic center would attract noisy protests to a scarred area of the city that should be, he said, a zone of tranquillity. If that proves to be the case, it is up to the demonstrators to decide how loud they want to be in the shadow of the trade center. But they have a right to protest. It is guaranteed in the First Amendment, the same one that ensures freedom of religion, with no asterisk that says "*except for Islam." It is the same amendment that allows a strip joint and a porno shop to exist a couple of blocks from hallowed ground. Five Filters featured article: The Art of Looking Prime Ministerial - The 2010 UK General Election. Available tools: PDF Newspaper, Full Text RSS, Term Extraction. | |
| Panel backs plan for mosque 2 blocks from ground zero - New Haven Register Posted: 27 May 2010 04:16 AM PDT Associated Press Five Filters featured article: The Art of Looking Prime Ministerial - The 2010 UK General Election. Available tools: PDF Newspaper, Full Text RSS, Term Extraction. | |
| For women, Indy passes NASCAR - USA Today Posted: 26 May 2010 08:59 PM PDT
| That's four women set to drive in Sunday's Indianapolis 500, the most to ever qualify for the nation's fabled holiday weekend race. And that's zero women, unfortunately, in the field at the mighty NASCAR event later that day, the Coca-Cola 600. NASCAR has been so dominant in recent years that this raises a simple question: How is the auto racing giant possibly losing any battle these days to Indy cars? The other day, Eddie Gossage, president of Texas Motor Speedway, took a whack at an answer in The Washington Post. "(NASCAR) may not lend itself toward women, who are, by nature, smaller people," he said. "The cars are bigger, heavier and require more physical demands. The races are longer. There are 38 races to a season, and it gets to be a tremendous physical grind. I'm not slamming women. I'm simply saying there is a big difference in a 3,400-pound stock car vs. a (1,600-pound) Indy car." Didn't people once say things like that about allowing women in the military? Good thing he didn't say women lack the "necessities" to drive, because we all know how that worked out for Al Campanis a generation ago when he tried to explain the dearth of African-American managers and general managers in baseball. Then again, Gossage need not worry. If he had made controversial remarks about African-Americans, or Asian-Americans, or perhaps an entire religion, he likely would have had a Texas-sized protest on his hands. But his comments concerned the perfect demographic, women, and its subset, women in sports. No Al Sharpton or Jesse Jackson or threat of a protest there. I called Gossage on Wednesday and he was kind, jovial and sticking to his guns. "I guess I could be politically correct or I could tell the truth," he said. "I want everyone in this sport. I want to see women succeed. I hope Danica (Patrick, who is racing in a dozen second-tier NASCAR events this year) proves the theory wrong, but it's a steep hill for her to climb because it may take a bigger, stronger person." What if he's right? (Never mind those tough little guys named Jeff Gordon and Mark Martin and the fact there is power steering now in the 21st-century stock car.) What if women will never make it in the top level of NASCAR because they can't control the bulkier cars? Nonsense, says an organization that does have a little credibility on the subject: NASCAR. "I disagree," spokesman Ramsey Poston said in a phone interview. "I believe women can be successful in this sport. Smaller people have proved that they can win championships in this sport." So, then, if it's not about size and strength, what is it? Poston says NASCAR is the "most competitive racing in the world," so it's tough for anyone to break in, male or female. Fair enough, although Patrick and the other Indy women will actually be driving at top speeds 40-50 mph faster than their male counterparts in Charlotte this weekend, so they're hardly shrinking violets. "Then you have the whole cultural thing," said seven-time Indy 500 veteran and women's driving advocate Lyn St. James. "NASCAR started in the South and it's always been family-oriented, run by family, so it's hard for anyone else to break into the sport. Then add the issues of cultural diversity and gender diversity and you're on the outside looking in. It has changed in the last 10 years, but has it changed enough? No. Has it changed completely? No. In IndyCar, it's always been much more open, with people from all parts of the country and all parts of the world." St. James established a foundation and a driver academy in 1994 to educate and train girls and young women in her sport, including one by the name of Danica Patrick. St. James works closely these days with NASCAR and its Drive for Diversity initiative. She estimates 85% of her young drivers want to go into NASCAR. It's coming, she says, but slowly. Much more money is needed from NASCAR owners and sponsors to make it happen. "They recognize it and are trying to be more diverse," she said, "but money still hasn't trickled down enough to the young drivers who can make that happen." The explanations and excuses will keep coming. So, too, will NASCAR's opportunity to change. The organization says women are strong enough. Now we need to find out if NASCAR is. Click here for more Brennan commentary brennan.usatoday.com Five Filters featured article: The Art of Looking Prime Ministerial - The 2010 UK General Election. Available tools: PDF Newspaper, Full Text RSS, Term Extraction. |
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